(a) Images submitted to the group are accepted after the administrators vote on them.
(b) Everyone can submit up to 2 images per week, except from the crew of the group who can submit up to 1 image only.
(c) You may ask for a critique if your image is not accepted on the group and if time permits, you will get one.
(d) All images should be submitted to the "Street Photography" gallery.
(e) Only admins can submit street photos that caught their attention to the "The Crew's collection" gallery.
Why Street Photography is not documentaryStreet photography is an eye focused on the ordinary, on the every day life.Why Street Photography is not documentary by myraincheck
Its interest is in capturing every day moments and situations that filtered through the sensitivity, vision, personality of the photographer are able to pass emotions and sensations to the viewer.
Moments can be of every kind: ironic, sad, melancholic, surreal, beautiful, wry, tender, poetic, destabilizing, iconic, descriptive. They all show aspects of life.
Sharing with you an interesting article by Evangelo Costadimas.
Why Street Photography is not Documentary Photography
by Evangelo Costadimas
“Art is a lie that makes us realize the truth” – Pablo Picasso
Look-up ‘Street Photography’ in Wikipedia and the attempt to define it starts with ‘… a form of documentary photography’. But is it really? Both Street Pho
Follow the lightThank you to :iconikarisou: for writing and sharing this article:Follow the light by myraincheck
FOLLOW THE LIGHT
Is there really such a thing as good or bad light?
There is gorgeous light, little light, strange light, dim light, golden light, light so wonderful it makes your whole body hurt, scary light, difficult light, blueish light, morning light, evening light, light at night, light that feels like lead, the sulfuric-yellowish light shortly before a hailstorm, mixed light, the rose tinted light of Eos, the greek goddess of dawn, soft light and hard light, harsh light, artificial light, autumn light, light that tickles you in the morning and wakes you up, maybe there's even ugly light.
Isn't referring to different light situations as good or bad really an approach that keeps you from tackling challenges? One that stops you from trying to find something that makes all kinds of different light work for you? One that stops you from experimenting with light? One that might prevent you from taking th
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