(a) Images submitted to the group are accepted after the administrators vote on them.
(b) Everyone can submit up to 2 images per week, except from the crew of the group who can submit up to 1 image only.
(c) You may ask for a critique if your image is not accepted on the group and if time permits, you will get one.
(d) All images should be submitted to the "Street Photography" gallery.
(e) Only admins can submit street photos that caught their attention to the "The Crew's collection" gallery.
PE Street and neighborhoodPE STREET AND NEIGHBORHOODPE Street and neighborhood by myraincheck
Sometimes deciding if a photo fits Street category or not can be really quibbling.
Every subject can be photographed with a street approach and fit street photography, and every subject can be photographed with a not-street approach and fit something else.
Categories mean nothing outside this place (or other art sites) and mean nothing about the value or quality of an image.
Though they are useful to make it easier to see, discover, find street images.
I hope that these few lines will be able to clear some of the most common doubts in submitting to street category, and would spare you flipping a coin before submitting.
So let's try to set some "limits" to street photography, even knowing that the edges between street photography and other neighbors genres of photography will ALWAYS be thin, vague, and often subjective.
ENVIROMENTAL PORTRAIT, SPONTANEOUS PORTRAIT OR STREET?
PE Street, children, is a state of mindSTREET, CHILDREN, IS A STATE OF MINDPE Street, children, is a state of mind by myraincheck
Street, children, is a state of mind: what defines street photography is not the subject, but the 'forma mentis' of the photographer.
Street photography is a way to look at the ordinary and see something special or unusual in it, to look at everyday situations and find a decisive moment in them, to look at candid happenings and see iconic interactions between people and surroundings in them.
The iN-PUBLiC | Manifesto, one of the most representative sites about street photography in the world, states that "all the photographers featured there have been invited to show their work because they have the ability to see the unusual in the everyday life and to capture the moment".
The subject of a street photo is not necessarily interesting, unusual, unseen in itself, but its strenght comes from the NARRATIVE CONSTRUCTION that the photographer is able to create around the subject. The way the photographer presents it,
Just because you shot it in the street...PE: JUST BECAUSE YOU SHOT IT IN THE STREET IT DOESN'T MAKE IT "STREET PHOTOGRAPHY"Just because you shot it in the street... by myraincheck
Street Photography is a largely misunderstood and misinterpreted photography genre.
Browsing dA's Street Gallery I'd say that people are under the impression that street photography is photography of:
1 street signs
2 side-walk close-ups
3 love padlocks
4 shoes (All Stars preferably)/photographer's feet
5 graffiti/tags/street art/cool vandalism
6 empty roads
9 abandoned buildings/urband decay/trash
10 cool cars
11 cosplayers posing in fairs
12 family in family-trips, friends in cool poses
13 sexy models in subways/women wrestling in swimming suit (don't ask, I don't know)
14 lights bokeh
15 light paintings
So, let's try to kill the most common misunderstandings:
Street photography is not photography of (empty) streets and it is not necessarily a photo taken in a street.
Street photography most definitely is not photography of your All Stars shoes in the st
Stop taking boring photos!An extract from Tony Ray Jones's http://www.amateurphotographer.co.uk/how-to/icons-of-photography/534741/tony-ray-jones-iconic-photographer notebook contains some interesting tips to take better street photos:Stop taking boring photos! by myraincheck
BE MORE AGGRESSIVE
GET MORE INVOLVED (TALK TO PEOPLE)
STAY WITH THE SUBJECT MATTER (BE PATIENT)
TAKE SIMPLER PICTURES
SEE IF EVERYTHING IN BACKGROUND RELATES TO SUBJECT MATTER
VARY COMPOSITIONS AND ANGLES MORE
BE MORE AWARE OF COMPOSITION
DON'T TAKE BORING PICTURES
GET IN CLOSER (USE 50mm LESS)
WATCH CAMERA SHAKE (shoot 250sec or above)
[Bullet; Red] DON'T SHOOT TOO MUCH
[Bullet; Red] NOT ALL AT EYE LEVEL
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