(a) Images submitted to the group are accepted after the administrators vote on them.
(b) Everyone can submit up to 2 images per week, except from the crew of the group who can submit up to 1 image only.
(c) You may ask for a critique if your image is not accepted on the group and if time permits, you will get one.
(d) All images should be submitted to the "Street Photography" gallery.
(e) Only admins can submit street photos that caught their attention to the "The Crew's collection" gallery.
|Monthly Street Challenge - September - SLEEPING BEAUTY|
Submit your Challenge photographs into The-Yard-Collective Favourites: SEPTEMBER Challenge Folder The Challenge folder will be open for submissions between 30th of August and 21st of September. All submissions to that folder will be automatically approved without the regular voting system.
"Street": The origins - Defining StreetStreet Photography: The Origins"Street": The origins - Defining Street by StamatisGR
As we all know from the movie My Big Fat Greek Wedding everything was invented by the Greeks.
Well, ok we left some trivial things to be invented by the Chinese as well.
What you may not know is that Street photography was also invented by the Greeks before Photography itself was even invented.
Kairos is an ancient Greek word meaning the right or opportune moment or "the supreme moment". The Greeks believed the concept of Kairos is achieved when such a moment is grasped for otherwise the moment is gone and cannot be re-captured. According to ancient Greeks, Kairos was the god of the “fleeting moment.”
Interestingly the ancient Greeks had two words for time, chronos and kairos. Whi
PE: Street Photography for expertsPE: Street Photography for experts by StamatisGR
Defining Street Photography
by Dave Beckerman
Most types of photography can be easily defined by their subjects. A wedding photographer takes pictures of weddings. A portrait photographer poses someone and takes their picture. The nature photographer covers a wide area, but it is easy to categorize.
Street photography is difficult to define because it can encompass just about any subject.
If I were to ask you to name a few famous street photographers, you might pick, Garry Winnograd, Henri Cartier-Bresson, or maybe Robert Frank. But if I asked you to define street photography that would be more difficult. You might say that street photography is candid pictures of strangers on the street. That might be a good start, but it doesn't really
Street…without PeoplePART IVStreet…without People by StamatisGR
The series of 5 articles about Street Photography made by myraincheck and slightly edited by moi* continues with:
STREET PHOTOGRAPHY WITHOUT PEOPLE
First things first let's remember that street photography is not so much about the subjects as it is a style of photographing, a 'forma mentis', a way to think, see, capture images. A forma mentis that can be summed up in the ability of RE-INTERPRETING, RE-CONTEXTUALIZING, giving a different interpretation, placing in a different context, the reality around us, giving it an additional significant meaning.
Even if the classic structure of street photography is a meaningful interaction between human and surroundings, we can have street photos where the human element is not physically present. Sometimes it can be symbolized by other elements, sometimes it is completely absent. Let's show some examples:
SYMBOLIC HUMAN PRESENCE
The human element is not physically present, but t
The Streettog: An Unexpected Journey“There is nothing like looking, if you want to find something. You certainly usually find something, if you look, but it is not always quite the something you were after.” (J.R.R. Tolkien, The Hobbit, )The Streettog: An Unexpected Journey by myraincheck
Taking a successful street photo, a photo that is able to strike, surprise, trigger an emotional response is not easy. You have to be looking, without really knowing for what.
You have to be looking for the unexpected.
You have to be alert, focused, intuitive, to foresee what could be a potential good street photo.
"Street Photography may be the single most difficult photographic genre. It is a fierce challenge: to condense from the chaos of reality something visually valid and psychologically revealing about both the subject, the viewer and perhaps the photographer into a rectangle in a fraction of a second. The editing process can be downright heartbreaking: so many frames, so few photographs". (Richard Bram)
"When shooting, I don't know precisely what I'm looking f
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